Why Starbucks needs a new copywriter

effective communication, marketing, web copy March 23rd, 2009

I really like a Starbucks Mocha Lite Frappucino from time to time. I really do. And I don’t even drink coffee other than those. Ever.

But one thing I really don’t like is a lot of the writing I see on Starbucks.com. In fact, I often use Starbucks in my workshops as an example of what not to do.

While I won’t give a full critique of their site, I will tell you that in addition to being very self-centric vs. customer-centric, they use passive voice to their detriment. In most instances, passive voice is difficult to read, hard to understand and nearly impossible to enjoy.

Now I know the subject of passive voice can make even the most astute grammar student’s eyes glaze over, so I’d like to address the issue in a way that’s easy to understand and remember. And, just for fun, I’ll use Starbucks to help in our little lesson today.

First, passive voice simply means this: The subject of the sentence is acted upon instead of taking the action.

Starbucks BEFORE: “A live webcast will be available the day of the meeting.”

My AFTER: “Watch the live webcast the day of the meeting.”

In the Starbucks “before” example, the copywriter writes in passive voice that:

  • Uses more words than necessary
  • Creates a formal tone
  • Confuses the reader about what is happening when

In my “after” example, I use active voice to:

  • Use just enough words to make the point
  • Make it easy to quickly understand the information
  • Tell the reader what to do

Words to watch for that hint of passive voice include: will be, am, is, was, were, are or been.

P.S. Thanks @natashaF8 for this idea on Twitter. Follow me on Twitter @getgreatcopy.

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3 Ways to Become a Better Writer

shortcuts, writing March 4th, 2009

“I wish I were a better writer.”

That’s a refrain I hear all the time. Fact is, anyone can become a better writer. Now that doesn’t mean you’ll become a great novelist, award-winning author or sought-after copywriter. It does mean, however, that you can improve your skill level.

Like anything, becoming a better writer takes practice. So the first way to become a better writer is to write. Then write some more. Write, write, write, write, write.

World-famous author Ray Bradbury confesses that his first attempts at storytelling were atrocious. He says it took him from the age of 12 to 22 – ten full years — to begin developing his talent.

I’ve seen this in my own writing. My first published article in a regional magazine was mostly the work of my editor. But over time, I’ve developed my skill so that my editors don’t have to touch my copy much, if at all.

#1: The more you write the better you’ll write.

The second way to become a better writer is to read other writers. If you’re a copywriter, study the work of other copywriters you admire. If you’re itching to write a mystery, study the work of great mystery writers. Same with magazine articles, novels, children’s books, short stories, non-fiction, etc.

One of my favorite books is New York Times columnist Dan Barry’s, Pull Me Up: A Memoir. In it, Barry tells the story of his life and childhood while quietly telling the story of my own with beautifully crafted sentences and haunting word visuals. We are strangers. Our lives are not the same. And yet his words tell my story. That’s the power of brilliant and masterful writing and soaking it into the marrow of your bones I promise will make you a better writer. (But not without practice!)
 
#2: Read and study great work.

The third way to improve your writing skill is to practice writing like those you admire — both literally and figuratively. Start by writing someone else’s work in long hand. (No computers, please!) Do it again and again until you get a flow and a rhythm and a pace. Feel the writing. Then move into crafting your version of the same work. How would you rewrite the paragraph? What words might you choose for a headline?

Remember, these are exercises to help build your skill; not teach you how to plagiarize. Take note of another writer’s word choice, length of sentence and whether the adjectives are present or absent. Don’t worry about taking on someone else’s “voice.” Your voice will come over time and in time.

#3: Emulate great work.

Certainly, there are more ways to improve your writing skills, but start with these and be committed about doing them. You will see a difference in the pace, speed and clarity of your writing.

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8 Ways to Help Your Copywriter

content, effective communication, marketing, web copy, writing January 16th, 2009

Online entrepreneur, and former copywriter, Alexandria Brown wrote this for a recent ezine. With permission, I’m reprinting it here because she’s spot-on about so many things, such as finding the person who’s the right fit, allowing enough time for copywriting, and fueling your copywriter with the right stuff.

“8 Things You MUST Know Before Hiring a Copywriter”
by Ali Brown

If you’re considering hiring copywriting help for your next sales letter, brochure, website, or marketing project. Congrats! You should get great results if you hire a pro to do it right.

Many solo-preneurs have valid concerns about letting an outsider develop their content. After all — it’s your business, you know it best, and your image is critical. However, you’re wrapped up in your business every day.

A good copywriter can see your business in a new light, draw out the key benefits of your products and services, and communicate that excitement to your clients and prospects.

Working with a writer isn’t complicated, however it will benefit you tremendously to become familiar with how the relationship typically works and ways to help the process move along smoothly. So, here are my top 8 tips on how to choose and work with a copywriter:

1. Understand what you’re trying to accomplish.

Streamline the writing process by figuring out the principal points you need to communicate — *before* you bring in a writer. Who is your target audience? What is your message? What is unique about your business? In what tone do you want to speak to your reader?

And most important: What response do you ideally want the reader to make? Having this information agreed upon BEFORE you get a writer involved will save you unnecessary copy revisions and keep your costs down.

2. Have a realistic schedule.

Rushed work usually means it’ll be expensive… or just plain bad! Avoid hastily hiring a copywriter and dumping a rush job on her. Not only will you not have time to thoroughly check her experience and references, but, no matter how wonderfully talented she is, her first draft will not be ‘fully cooked.’ Most copywriters need some time to let words and ideas simmer.

Most writers will request several WEEKS to develop your copy, so set a realistic schedule to give the creative process ample time. Count on going through one or two revisions as your writer refines the piece and conveys the key benefits of what you’re promoting.

3. Make sure the writer has written for the *medium* you want.

Let’s say you need someone to re-energize the copy on your Web site. A freelancer who has only written magazine articles won’t likely have the skills to create content for a dynamic Web site. She’s probably not proficient at breaking-up copy into easily digestible bits, integrating hyperlinks that entice your users to take action, and keeping your end-user in mind to plan a friendly, easily-navigable site.

She may be able to learn how, but you’ll be paying for her slow ramp-up speed. Take time instead to find the right person — it will save you many headaches down the road.

4. Experience within your industry isn’t always necessary.

When I was a copywriter myself, I heard many prospects say, ‘So you’ve never written for a _______ company before?’ A valid concern on your part, but don’t worry. A writer’s ability to write well for the medium is typically more important than her having prior experience in your industry.

Many writers are true generalists and write just as well for an edgy new media start-up as they do for a giant hospital network. They’re very proficient at diving into your business, learning it inside and out, and churning out great copy to entice your target market.

Now of course, if you’re producing a technically oriented business-to-business Web site or marketing piece, you may want to hire a writer with experience in both your project’s medium and your industry. If you find a good one, hold on tightly and pay well. You’ve struck gold!

5. Ask for references, and contact them.

All writers can show you samples of well-written material, but how do you know if they’ll work to understand your communication needs, meet deadlines, and act professionally in front of your clients? Any great copywriter should have an ample list of references that she can share with you. Be sure to contact at least two of them, and ask them about her weaknesses as well as her strengths.

6. Keep in mind that you get what you pay for.

It amazes me how businesspeople will drop thousands of dollars on Web or print design and hesitate to spend half as much on great copy. Pictures and design enhance your message, but jeez folks …the writing IS your message!

Good copywriting does not come cheaply — you’ll find writers who charge anywhere from $75 – $250 per hour and up. You’ll pay on the higher side for an experienced writer, one with a particular specialty, or one who’s also a proficient editor. (Many writers are also great editors, but not all writers are editors, and vice versa.)

Veteran sales letter pros typically charge high flat fees, and I know of a few colleagues who charge up to $100,000.00 for one single salesletter, plus royalties. But you can find good copywriters for much less.

7. Work on more than a handshake.

True writing pros will give you an agreement they’ve drawn up for you. However, you’ll occasionally find yourself having to draft an agreement for the project. This doesn’t have to be complex — a simple letter that you both sign should do fine. Be sure to include the project size, number of revisions included, timetable, and agreed fee (this can be a flat fee or hourly rate).

And don’t forget to ask what’s *not* included. For example, many writers charge extra for in-person meetings, research time, and weekend or rush work. You should also expect to pay an upfront retainer. Most writers charge one-third to one-half of the total project fee upfront, and many won’t begin your project until they have the signed agreement and check in hand. And if you have sensitive or proprietary information, don’t hesitate to have your writer sign a non-disclosure agreement (NDA).

8. Give your writer background info at the start.

It often happens that a writer is hired for a large project, and the first thing she’s asked to do is come in and interview all the principals of the company. After several days of interviews, the writer is then handed the company’s brochures, annual report, and marketing plan.

If this background info had been given up front, the client could have saved hours of time and money! At the beginning of your project, pass on any and all previous and applicable info.

© 2001-2009 Alexandria Brown International Inc.

Online entrepreneur Alexandria K. Brown publishes the award-winning ‘Highlights on Marketing & Success’ weekly ezine with 36,000+ subscribers. If you’re ready to jump-start your marketing, make more money, and have more fun in your small business, get your FREE tips now at www.AlexandriaBrown.com

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